Final Project Research

ERIK LEVY

“Creation is an uncontrolled muscle” according to Arik Levy (born 1963).

Artist, technician, photographer, designer, video artist, Levy’s skills are multi–disciplinary and his work can be seen in prestigious galleries and museums worldwide. Best known publicly for his sculptures – such as his signature Rock pieces –, his installations, limited editions and design, Levy nevertheless feels “The world is about people, not objects.”

Hailing originally from Israel and moving to Europe after his first participation in a group sculpture exhibition in Tel–Aviv in 1988, Levy currently works in his studio in Paris.

His formation was unconventional where surfing, as well as his art and graphic design studio, took up much of his time back home. Following studies at the Art Center Europe in Switzerland he gained a distinction in Industrial Design in 1991.

After a stint in Japan where he consolidated his ideas producing products and pieces for exhibitions, Levy returned to Europe where he contributed his artistry to another field – contemporary dance and opera by way of set design.

The creation of his firm then meant a foray back to his first love, art and industrial design, as well as other branches of his talents. Respected for his furniture and light designs on all continents, Levy also creates hi–tech clothing lines and accessories for firms in the Far East.

Considering himself now more of a “feeling” artist, Arik Levy continues to contribute substantially to our interior and exterior milieu, his work including public sculpture, as well as complete environments that can be adapted for multi use. “Life is a system of signs and symbols,” he says, “where nothing is quite as it seems.”

 

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I enjoy his work because the materials he uses distort what you are looking at. I find he uses his materials in different forms whether it being a closed form or a bunch of planes stuck together. I enjoy his pieces outside and love how they change throughout the day due to lighting.

SEBASTIAN MAGNANI

Born 1985 in a small village in Canton Valais, Switzerland, surrounded by mountains, Sebastian Magnani discovered photography whilst training as a media designer in 2006. After 5 years as a creative in an advertising agency, he decided 2011 to turn his passion into a profession. Since then he has been making a living as a photographer, based in Zurich Switzerland. He currently works on various subjects and several free projects, like the «Underdogs» and «Undercats», where got a lot of media attention and been published on many newspapers, magazines, websites and tv-shows around the globe.

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I enjoy his work because it takes one thing (the sky) and puts it somewhere else (the ground) which kind of makes you question what you are looking at and trying to imagine the environment. I feel like it causes a 2D photo experience to be more immersive as you actually what to know what is happening outside the frame.

DENISE RIESEN

Denise Riesen is an award-winning photographer with more then 16 years experience. Her work has varied in style and has evolved as she travels both physically around the world, and through the stages of her own life. Her work expands and alters that of a traditional scene into a complex visual interest. She enjoys the constant challenge of new ways of seeing and the creative output of self expression.

Denise has both studied and photographed extensively throughout the North America and Europe through personal travel and professional involvement. Her work has been shown in a number of galleries within the United States and Mexico. Denise has worked as a photo editor, and curator for a number of exhibits both in Chicago and New York City.

Denise currently works primarily as a freelance photographer and artist based in the Chicago area.

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She gave me the idea of water being a reflective surface or a material to distort the surroundings for my photographs.

Final Thoughts

With ideas from these artists I also want to try working with tin foil, glass, mirrors, water, acetate, and cutlery to create a distorted perception of what the viewer is looking at while also creating a visually beautiful image.

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Letha Wilson

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Letha Wilson uses images and materials from natural landscape as a starting point for interpretation and confrontation. Work creates relationships between architecture and nature, the gallery space and the American wilderness. In the photo-based sculptures the ability for a photograph to transport thew viewer is both called upon, questioned; sculptural intervention attempts to compensate the physical site it represents. Landscape photography as a genre is approached with equal parts reverence and skepticism. In another body of work, site-specific installations juxtapose re-claimed wood and drywall material in innovative ways that respond to both interior and outdoors environments, and comment on the glut of material discarded in the contemporary exhibition cycle.

The work often originates within specific geographic locations, using photographs to layer a site’s unique history with its current image and often conflate two separate environments. Recent work delves further into the photograph as both emotive device and architectural element, and pushes its potential for physical re-invention. Rather than approach the environment in general terms, the work preserves a singular moment of contemplation and dialogue between the natural and constructed worlds. 

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